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Our London Craft Week experience has now concluded, and we’re proud to share the resulting images. The Future Of Craft, presented by Design Nation in partnership with the Oxo Tower Wharf for London Craft Week, invited Margo Selby to create an installation, which included 16 original handwoven artworks. Margo’s artworks…

Margo Selby presents her TESSELLATION exhibition for London Craft Week. Part of The Future of Craft program at the Bargehouse in London, Tessellation features an installation of 16 unique handwoven artworks. Each piece, woven in the Lampas technique from over 5000 individual threads, stands alone as an abstract composition. When assembled in formation, these…

The textural quality of our new Rohe fabric is achieved through a double weave and heat shrink process creating an embossed-like surface. It complements the colour palette and textural qualities of fabrics such as Alvar and Suki. Rohe is available in present and large square sized cushions, wash bags and fabric meterage. was last modified: April 24th,…

We are pleased to have Comerford Collection presenting our handwoven artworks in their beautifully curated showroom in Bridgehampton, NY, USA. They chose a collection of 3 pieces, each with a fresh pallet from warp 12. 12,1 12,3 12, 5 – SOLD For viewing and enquires on these artworks please contact…

Interior Stylist and Design Consultant Edwina Boase worked with a collection of Margo Selby artworks in her latest project. 3 handwoven artworks were selected for the East London house, redesigned by architects Studio CTA for Channel 4’s Ugly House to Lovely House.       Project Credits: Designer/Stylist: Edwina Boase, https://www.instagram.com/edwinaboase/ AmazingTelly: www.instagram.com/amazingtelly Photographer:…

The Soren cushion joins our collection of interior textile designs in a wide range of neutrals, greys and inky blues. This palette is inspired by the rich and varied hues found in indigo dyes, which have been used in textiles worldwide for thousands of years and reflects the continued influence of traditional…

For the Love of Colour Colour is a driving force behind my work. By ‘painting with yarns’, I enjoy the infinite combinations of the many subtle hues and tones that can be explored when blending from one colour to another. I play with the juxtaposition of simple forms, manipulating the use…